Blog: RESPECT. & BrainGangBlue

Yo. I recently did a story on TDE affiliate and solo artist BrainGangBlue, who hails out of Dallas. The story’s probably alright. It endured a heavy load of editing, but it came out the other side intact, I think. Hell, I don’t know. I didn’t read it. You expect me to read my own stuff? How narcissistic do you think I am? This stuff is just therapy, plain and simple.

Below I have attached the original copy of the Blue piece, unedited and uncensored. Perhaps a different truth reveals itself. You be the judge.

What up, Blue?

Not to state the obvious, but in hip-hop there are many different kinds of artists. There are the Sonny Digital’s, producer of “Racks on Racks” and “Same Damn Time”, who “prefer nobody to be in the room while they’re working.” There are the Lex Luger’s, also introverts, who get thrust into the limelight, almost unwillingly, because of their trademark sound. There are the icons, the Jay-Z’s and Kanye’s, whose lives more or less become their art – Kim Kardashian ring any bells? And there are the gangs, like TDE, who resemble something of a modern-day Hells Angels charter. “Nothing matters to TDE except for TDE, to them,” is how one of their affiliates puts it.

That affiliate happens to be producer King Blue, known in his home town of Dallas as Brain Gang Blue, or formerly, as one half of the late band, Sore Losers. Blue, unlike the artists cited above, has not yet been categorized. Despite producing an impressive list of records to date – Kendrick Lamar’s “P&P”, ScHoolboy Q’s “To Tha Beat (F’d Up), Mac Miller’s “Down The Rabbit Hole”, and most recently, Ab Soul’s “Mixed Emotions” – as well as releasing his own solo EP, Numb, for which he produced and rapped on, Blue has not yet settled on a lane. He opts for a wide variety of sounds, from chill daytime television samples to drug-fueled electronic dirges.

For Blue, restlessness, or it’s close cousin, indecision, runs in his veins. Blue’s father, Mr. Blue, enjoyed a brief stint for the Seattle Seahawks, before moving around the Canadian and minor leagues, finally settling in Dallas. It was in Texas that Mr. Blue ran a couple popular nightclubs, quitting to become a personal trainer. So perhaps it is in his father’s mobility that Blue draws his inspiration. In 2007 Blue dropped out of Prairie View A&M University outside of Houston to move to LA. That’s where he hooked up with cousin, Dave Free, A&R, producer, and top dog at TDE. On that first trip Dave introduced Blue to rapper Jay Rock, and they immediately started to bang out tracks: Jay Rock in the studio, Blue in his grandma’s crib out in Canoga Park.

Although the LA gig was a promising start, working on and off for TDE, another opportunity soon presented itself that Blue could not ignore. “When I was young I always made stuff that was ‘progressive’,” admits Blue. “So when Vincent Brown arrived and was like, ‘I want to do something different,’ that was the first time I really felt like I was a part of something new and special.” In 2009, Blue left his grandmother’s house in LA, flat-broke, to form a hip-hop band alongside Brown, called Sore Losers. The Dallas-based band enjoyed considerable success on the blog circuit, and even booked a set at the Sundance Festival, but ultimately fell to an untimely demise in late 2010.

“When we went through that breakup, it killed me,” recalls Blue. “I didn’t know what was going to happen next. I thought I was done making music.” Fortunately, Blue still had his friends out West. In early 2011, after TDE had begun to explode, in the wake of Kendrick’s Section.80, Kendrick and crew invited Blue along for the Texas leg of their nationwide tour. It was at those shows that Blue was able to perform songs off his new Numb EP, and present to the state of Texas his new crew in Brain Gang. “I want to do with Brain Gang what they did with TDE,” says Blue. “JT, Bobby, Cash, and Killa MC [all members of Brain Gang] made me believe I could be a solo artist, so I want to give back to them.” And that’s where Blue is at now, managing his crew and making music as a solo act.

Though he still submits beats to TDE on the side, Blue readily admits that “Mixed Emotions”, his coveted track off Control System, was in fact a beat he had made three years ago. It, he claims, has “nothing to do with [his] current direction”. “I tried to keep the sample simple so any rapper could voice what they had to say, but it’s old, almost three years,” says Blue of the record. What’s more, “MixedByAli gave my production a fuller feel. He gave it a wide, full, sound that was different from the original beat that I had sent him. Ali is a monster. He’s very outside the box with his techniques. He did something on a certain song, and I can’t remember the name of the song right now, with Kendrick, he had Kendrick record two versions of the verse, one with a high pitch, one with a low pitch. At the beginning of the verse he was rapping low and throughout the verse he [Ali] blended in the highs and the lows. I sat behind his shoulder once and watched him do it, and I still couldn’t explain it to you… I think TDE just has… it’s like they’re all in a little laboratory and they just stay there until everything is perfected. They shut themselves down from the rest of the world and make what they want to make, so it doesn’t sound like everybody else. It’s not the new West. It’s them. It’s their thing.” In other words, the TDE cats make music in a self-contained bubble, a straight parallel to their medium, the internet- or rather, the blogs, where you can define yourself however you want… in an existential vacuum.

Apparent pertinence aside, Blue has lots of great wisdom on TDE. From his family ties to Dave Free, to his friendships with the artists, to submitting “jazzy dubstep” records to Kendrick for his upcoming album, Blue is confident enough in his association with TDE to consider himself a “part of the family”. But he also knows where not to put his trust these days. “I want to go solo,” says Blue. “I want to go the Kanye West route.” Not eager to repeat his mistakes, lest he gets burned again, Blue seems to have chosen the icon lane to make his living. He’s done the Sonny Digital approach, failed at making his mark with Sore Losers, and now he’s dabbling in the gang approach (with Brain Gang) as a side racket of sorts. But what Blue really wants to do is become a star. At age 26, he’s finally found his niche… in the hairiest of pursuits: the pursuit of the American Dream.


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Review: A Late Eulogy to Heath Ledger & Snak The Ripper for Exclaim!

Here’s a little wisdom for your Wednesday night…

Everyone reaches a point in life when everything revolves around money. It’s all people care about. Whether you have money, inherited money, earned money, or grew money on a tree in your backyard doesn’t really matter. What matters, especially to women, is that you want to make money, and more money, and more money, until you can’t possibly dream of making any more, and even then there’s a hidden lobe in your brain that only starts functioning once you hit the top of the Forbes list. Seriously. I’m not joking. I asked Jay-Z about it the other day and he can vouch for me. He has neurosurgeons working round the clock trying to figure out what went wrong with his, why Beyonce is out-earning him.

Poor Jay. He sure knows what it’s like to have a girl gaga about him, that is, until she learns that he’s ear-deep in an industry that won’t make him much more than peanuts for the next twenty years. Jay knows all about that shameful feeling, of seeing someone’s synapses extinguish as soon as you tell them you’re an artist, that you’re hustling on the side to finance your next venture. Jay knows all those silly tricks, that they flip it, assume you’re broke and without a future. Jay knows

And so do you. Fuck, I just told you. So if you finish reading this and still feel ashamed, well, that means there’s hope. Yeah, you heard me. After all, didn’t you just read an entire page by a writer who vies for little more than four walls and a clean urine sample? Clearly your interests run deeper… so keep digging… and hopefully I’ll see you on the other side.

And now, here’s my review for Snak The Ripper’s new album, White Dynamite :)


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Blog: THE Marrack fires on The Globe

A recent email I wrote to an editor at The Globe and Mail…

Dear Mr. [name omitted due to my attorney's counsel],

Yes, it’s me again. I trust you have not changed the preferences of your email account, so that my pitches get sent straight to your trash can. In the interest of good humanity, I’m going to assume that’s not the case. Then again, I’ve never actually worked in an office, so I can’t pass comment on those who wear neckties to work… do you wear a necktie?

Anyway, being that I spend a lot of time on the streets, wandering, in my home town of Port Credit, Ontario, I have a very special pitch for you. Not to sound cocky, but I would knock this one out of the park… in 1250 words or less. So without further ado, here goes…

Port Credit, Ontario is on the brink of destruction. Perhaps not from the Mayor’s standpoint. Construction is booming, tax dollars are rising (along with all the condos), and more and more parks and historic sites are being overhauled. Walking along lakeshore between Number 10 and Mississauga Road, where there is the lighthouse, harbour, and Memorial Park, you’re bound to notice at least one zoning request sign per block… that is, if you can still ‘see’ at all, for all the new condos blocking the sunset. Old Port Credit- rather, old Ontario is gradually dying in this small town that TorontoLife recently dubbed a taste of old Canada. And the worst part is, with every new slab of concrete, Mayor Hazel believes she is contributing to the vigor of the community. I, along with thousands of other residents of Port Credit, beg to differ. The spirit of old Ontario is dying here, along with the residents who continue to uphold this way of life. No more is it fashionable for the residents here to wander around and hang out in the streets – to be part of a community. If they do they are dubbed derelicts… But why? Why have these long-time residents of the community, who clash with the upwardly mobile suburban crew, succumbed to crutches like drugs and alcoholism? Surely not all of these individuals come from a heritage of substance abuse. I contend that something, or rather, some change, within the past decade or so, has precipitated a steady decline in the standard of living and well-being of these citizens… That’s what I want to find out. Who are the people that inhabit this town? How do they feel about the change in the town? Do they feel they are being pushed out, marginalized? Is that making them succumb to their vices? Then… who are the people who have migrated here? What is their take on the town? How do they want to see it develop? And finally… How does the city consider the town? What are their plans for it? Obviously I would look to body a wide variety of perspectives on the matter, and then allow the reader to decide which one rings the most truth. Personally, I think the whole thing is a shame… I used to love to drive from Toronto all the way to Burlington along the lakeshore, so as to get a true sense of my heritage as a citizen of Ontario… but now that the 7-Eleven’s are being replaced by Esso/Tim Hortons/Cold Stone superstations, and the old houses by skyscraper condos, I don’t think I have the patience to discover my roots… After all, a junkie shooting up crack in the alley isn’t exactly my idea of Ontario culture… so why the hell has it gotten to this point? Above all else, that’s what I wish to discover.

Phew.

That was a lot.

I’ll let those words distill… and see if they have any affect on you.

If they don’t I’ll assume you fastened your necktie too tight this morning, or perhaps some morning a long while ago, and my messages have since been filtering into your trash.

That would be a sad prospect, seeing that my heart and soul (as well as my heritage) rests in the body of this email.

So on that note…

I remain,

Yours, in cultural purgatory, or something like that,

Peter Marrack


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