Review: THE hippity-hoppity

Last week was my vacation, but I still worked hard.

I wrote this review of Slaine’s The Boston Project for Exclaim! Slaine’s a hardcore, underground rapper from Boston who you may know from Ben Affleck’s Gone Baby Gone and The Town — if you don’t know him from rap. Rumour has it Affleck called Slaine like 30 times one night after Slaine had passed out, desperate to cast him as the hard, cold gangsta with a Boston accent.

I also wrote a Kid Cudi Indicud review and another Slaine The Boston Project review both for Earmilk. Earmilk doesn’t get enough credit from the mainstream; maybe they don’t want it. Their music editor, Montrey, encourages his writers to take risks, tasteful risks. For that we should commend him.

Until next time …

Send me arts stories! (petermarrack@gmail.com)

P.S. I forgot about this The Airplane Boys news story I penned. Its content is pulled from an interview I did with Beck Motley and Bon Voyage a couple of weeks ago. Check out their new project, Brave New World.


REVIEWS

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Blog: THE Provocation

Two things provoked me to consult my critical third eye this morning. Translation: two things pissed me off to an extent that I felt it meaningful to respond to them.

One occurred when I was driving to the cafe by my house.

I was stopped at a crosswalk and a man had begun to walk, seemingly oblivious to my car, to the other side of the road. As soon as he saw me, he waved an apology, smiled and accelerated into a jog.

My first thought driving away was, “How ridiculous. This dude thinks he’s burdening me by walking across the road, as if I didn’t have five additional seconds to spare.”

Then my Anglican roots kicked in. “He’s only being polite, courteous,” I thought.

But my third eye wouldn’t have it. “Canadians, psht, they’re so goddamned polite. They don’t stop to think their unconditional manners might be encouraging a completely fucked way of life.”

I left it at that and accelerated through the intersection.

At that point I still hadn’t reached a level of annoyance to bother jotting anything down; it takes a lot these days to make me think there’s a point in writing something down.

(Un)fortunately for you, I crossed that threshold precisely two left turns later.

I had just hung a left at the old church along Lakeshore, purposely passing the Starbucks so I could hang back and listen to thirty more seconds of Best Coast’s “No One Like You,” when I pulled up to another crosswalk.

Through the windshield I spotted a woman bundled in winter gear a quarter of the way across the intersection.

Because I failed to use my blinker, signaling my impending left turn, this woman apparently assumed I was headed straight. So what did she do but break into a jog, desperately fleeing the road so as not to interrupt my travels.

That did it.

I turned left, cursed violently to myself and sped to Starbucks to jot this down.


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Interview: THE Airplane Boys for Exclaim!

photo by Neil Champagne

The Airplane Boys strive to do something different in hip-hop. They always have.

They’re just smarter about it now, blending trending trap drums with their signature cosmopolitan style. If you could record the vibe downtown at sun-down and sun-up and make it into a record, you’d get Brave New World.

I first saw these dudes live like two years at the Kool Haus when they opened for Big Sean. Mannie aka Beck Motley says they tried to go the “real music” lane with a live band — including their grade 8 teacher — but the Big Sean groupies weren’t exactly feeling it.

Their new project, Brave New World, appeals to both worlds, with enough EDM-inspired sounds to capture the attention of JODY HiGHROLLER fans and sufficient soul and meaning to appeal to [ahem] grown-ups.

My friend Carmen digs it.

Woah, I just sneezed and the little snot drops on the LCD match Neil’s photo. Woah.


INTERVIEWS

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